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Monday, November 3, 2025

Bradford 2025 reaches halfway mark with over 1 million engaged, but residents want more inclusion

As Bradford marks the halfway point in its UK City of Culture 2025 journey, over a million people have engaged with the programme, but while some residents celebrate renewed pride and vibrant public spaces, others call for deeper outreach, lasting change, and cultural events that truly reflect every corner of the district.

As Bradford reaches the halfway milestone in its year as UK City of Culture 2025, organisers are marking strong progress in public engagement, cultural activity, and regional pride, but not without calls for deeper community outreach and a lasting impact beyond the spotlight year.

According to figures released by the BD2025 team, over 1.1 million people have attended events across the district to date, with more than 40,000 residents directly participating through performance, volunteering, or creative contribution. The cultural programme, which spans all 30 wards of Bradford District, has brought activity to spaces as diverse as city parks, libraries, old mills, high streets, moorlands and even religiously inspired structures, such as the Ramadan Pavilion in Centenary Square.

“I went to the Ramadan Pavilion in Centenary Square, it looked absolutely beautiful at night, especially with all the lights,” said one attendee.

Another resident added, “I liked that it represented our culture publicly. Usually, things like Ramadan get overlooked in city-wide events.”

Despite this, not all residents feel equally included. “To be honest, I haven’t been to any events yet. I’ve seen the banners, but I’m still not clear what Bradford 2025 is or what’s going on,” said one local.

The programme, led by the Bradford Culture Company and backed by local and national government, is designed to place “people, participation and pride” at its core.

More than 500 local artists and grassroots organisations have been engaged so far. Public spaces have also benefited, with new art installations, flowers, and improved cleanliness. “The city centre looks cleaner, and I’ve noticed more artwork. It lifts the mood,” a resident noted.

Still, some community members remain unconvinced. “Yes and no,” said one respondent when asked if the programme benefits the city. “The intention is good, but I don’t think the outreach has been great. I’ve lived here all my life and only found out it’s City of Culture from banners, and still don’t know about events, what are they doing with the money?”

Others questioned the programme’s visibility beyond the city centre. “It doesn’t feel like they’re putting the money to proper use. People in nearby towns don’t even know Bradford is the City of Culture. What’s the point if people in Halifax or Keighley haven’t heard about it?”

While some say the cultural year has enhanced Bradford’s image, especially for younger residents, others remain sceptical.

“I think it’s made me prouder to say I’m from here,” said one local. “We always get labelled as a run-down place, but the events and how the city centre looks now show potential.”

Still, another commented, “My perception hasn’t changed much. I want to see real investment, not just temporary banners and pop-up events.”

Similarly, feelings of connection vary by area. “Not really,” said one resident when asked if they felt more connected this year. “I don’t think many people around my estate even know what’s happening.”

Bradford 2025 organisers say the best is yet to come, with a summer line-up featuring BD: Festival, the World Curry Festival, and a theatrical adaptation of The Railway Children. The district is also preparing to host the prestigious Turner Prize this autumn.

Some residents are looking forward to more culturally relevant programming. “I want to go to events about Pakistani heritage like qawwalis or exhibitions about our roots,” one attendee shared. “But they need to sort out ticketing. Things sell out too fast, especially the free events.”

Others expressed hope for long-term continuity. “Definitely,” said one local, “we need more arts, culture, and youth spaces all year round, not just because it’s our spotlight year.”

However, not all are optimistic. “Only if they fix the basics first, better transport, safer streets, and more opportunities for local people. Otherwise, it’ll all be forgotten after the year’s over.”

Residents also highlighted a desire for more hyper-local access. “More events closer to home. Not everyone can go into town,” said one person.

Despite concerns, civic and cultural leaders remain positive. Dan Bates, Executive Director of Bradford 2025, said the programme’s success lies in its people: “Culture is becoming a catalyst for pride, connection, opportunity and growth.”

Lisa Nandy, Secretary of State for Culture, Media and Sport, called the programme “inspiring,” and Arts Council England praised the inclusion of local artists.

Cllr Susan Hinchcliffe added, “After all the hard work to get here, it is our time.”

A full economic and social impact report will follow in 2026. For now, Bradford’s cultural year continues, accompanied by both celebration and a clear message from residents: the real legacy must reach everyone.

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